![]() Twin headphone and mic sockets are unsurprising inclusions, and video quality in general lived up to the high standards set by the S1R’s stills output. It might not do HEVC recording, but it still shoots 4K at up to 60fps, or Full HD at up to 180fps. ![]() Of the two Panasonic Lumix S cameras, the S1R is slightly the worse when it comes to video options, but that’s pretty relative. Whatever genre of photography you shoot – from still life studio setups to faster-paced subjects – get the S1R set up right and it will reward you with huge, sharp images that can be printed virtually any size you like. Even shot wide open we were rewarded with gorgeously sharp shots completely free of chromatic aberration. The 24-105mm f/4 handles really nicely and, once focused, delivered extremely sharp images. We’d expect nothing less than sharp, colourful images from a camera and lens combo that costs this much and the S1R delivered magnificently. Straightforward image quality is… straightforward. Autofocus is fast and reliable, and when paired with Panasonic’s 24-104mm f/4 lens, we were never left wanting for a quality result. If you want to track your subject, the S1R can shoot up to 6fps in AF-C mode. In its high-speed mode, it can shoot up to 9fps, assuming you’re happy to lock autofocus on the first frame. In use, the S1R is great and, despite its sky-high resolution, there’s plenty of processing punch to make sure photographers aren’t kept waiting. Panasonic Lumix S1R review: Photo quality Suffice to say, the battery grip (£300), which allows you to mount two batteries at once, is a must-have for travel photographers. It was a tough test – the camera was left running all afternoon in the pursuit of a news story, but it seems fair to expect any pro camera to offer at least a day’s intensive use. The CIPA rating for the S1R’s 3,050mAh battery is a paltry 380 images, but in an afternoon’s shooting we managed the arguably impressive feat of running out of juice almost 30 frames earlier, with the camera expiring after still image 351. Assuming you’ve pushed past the price, the S1R has admirably few, but we have to mention battery life. ![]() It’s touchscreen and vari-angle, of course, and is held in place by a sliding locking mechanism, which prevents it folding out in the chaos of a camera bag.Īll those upsides inevitably bring us to the S1R’s downsides. The preview screen on the rear is another peach. Those coming to the world of EVFs from the optical viewfinders of traditional SLRs will be spoiled by this one. Its 5,760,000 pixels produce an outstandingly high resolution and, in use, it proved bright, clear and capable of keeping up with fast-moving subjects. To continue with the upsides, the S1R has a fantastic electronic viewfinder. There’s lots of flexibility in how the twin slots are used: a straight overflow or simultaneous mirroring are the basic options, but you might also opt to record JPEGs to one card and raw files to another, or stills to one and video to another. In this case, one SD and one XQD slot allow photographers to mix and match current and next-generation cards. Pop open the memory card door and another welcome feature awaits: a pair of memory card slots.
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